Portrait lesson II

She’s moved towards looking more life-like! We worked on shadows on the face and neck, the hair and the background. There is so much good information; the time is extremely enjoyable and just flies by!

One change I’ve made, following Kari’s example, is to start using a vertical palette. This is so the painting and the palette are seen in the same light, and to bring the paint colors closer to be judged more accurately. My vertical palette is actually just my horizontal Masterson palette mounted on an easel. The glass mixing plate is held in place by magnets; the magnets under the glass are glued to the palette. I like using it this way.
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