For our second 3 hour lesson we went to a rural area and found a pumpkin field. One fascinating aspect of painting outdoors with other people is that we can stand in a small area together and produce totally different paintings!
My choice of view and subject was based on the pumpkins leading up to the white barns, which are silhouetted by the dark trees. I also liked including the distant hills. I had a strong sense of representing the feel of what was in front of me rather than the exact image. To that end I ‘moved’ the pumpkins around quite a bit!
A few weeks after arriving in Pennsylvania, I visited the Hoyt Art Center in New Castle, PA and found that they offer 4 classes in Plein Air painting. This seemed like a good opportunity for learning and encouragement, so I signed up!
The teacher, Nancy Hawkins , is a kind and gentle lady, who gave useful instruction and good encouragement. On the first lesson I was the only student! We sat on the back patio of the lovely Hoyt Art building for three hours and painted this view to the south. It was exhilarating!
One of my grandaughters asked me to sew a pink fleece bunting for her doll, after I had made a purple one for her sister’s doll. I made it and sent it to her and this painting is based on the photo that her mother took for me.
I like the look of quiet concentration as she inspects it. I enjoyed working with the soft and muted colors and using a palette knife for her hair.
Because we have temporarily moved (over the past month) to Western Pennsylvania (until Thanksgiving), I’ve become behind on the posts of paintings that I’d planned. I’m going to try to catch up a bit. !
These are all small (6 x 8 ins) sky paintings on canvas. I painted them earlier in the year, all from photographs I’d taken. I was experimenting with ‘feeling’ the color and trying to achieve that sky ‘glow’. These are more abstract than subjects I usually paint, and the freedom with shapes and colors was invigorating.
My painting of my grandson, titled ‘Happy’, was awarded 2nd place in Painting at the River City Art Association Annual Juried Show! This is the third year I have entered paintings, but the first time I’ve been able to attend the Opening and Awards ceremony. It was exciting and I was delighted!
The Show is up for the month of August at the First Financial Bank, 6th Street, Terre Haute, IN. The award winners will be moved to the Springhill Branch for the month of September.
They are both oil paintings, 4 x 6 ins. The green eye is lit from below, the blue eye from the front. It was a thoroughly enjoyable exercise!
I have always found eyes fascinating. How can living tissue form a transparent optical material? The process of perceiving color and value and transforming that into a readable, meaningful image has seemed wonderful to me. How can cells fmake an adjustable focus lens? These were some of the reasons that led me to pursue a training and qualification in Optometry. (The others were the Ah-ha moment when I first put on glasses to correct my short-sightedness at age nine, and the benefit I received from contact lenses as a teenager).
Now I am appreciating eyes from a different viewpoint!
This is a family member, from a photo I took several years ago. She is an elegant, well-dressed person and I feel I captured that look. However, the colors didn’t seem right until I glazed her facial shadows with what seemed like outrageous yellows and oranges and suddenly it came to life!
This is another painting completed in a series of lessons with Kari Rajkumar. The original is a self-portrait by John Singleton Copley, a famous and well-established Colonial artist, who moved to London in 1774. I’m afraid I made him look slightly chubbier in the cheeks than he painted himself, but the process was absorbing and instructive.
This is the third time I have painted this portrait. I tried one in Acrylic layers, one in oil and now this second try in oil. I’m glad I persisted as I like this one best! I have been working on more accurate color checking and subtleties of changes in value and temperature.
I wanted to portray the amusing idea that children have of not being visible if nothing is visible to them!
This painting was based on a photo of my granddaughter in one of her special dresses, although in the photo she was wearing large green glasses frames. I bought this children’s ‘llama’ sleep mask especially for this project and modeled it on myself, taking selfies in a similar light to the photo. It was fun.
Once I’d finished the painting I gave her the sleep mask.