Portrait Lesson III

Her eyes make a big improvement! It was so great to see ‘life’ appear in her face!

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Portrait lesson II

She’s moved towards looking more life-like! We worked on shadows on the face and neck, the hair and the background. There is so much good information; the time is extremely enjoyable and just flies by!

One change I’ve made, following Kari’s example, is to start using a vertical palette. This is so the painting and the palette are seen in the same light, and to bring the paint colors closer to be judged more accurately. My vertical palette is actually just my horizontal Masterson palette mounted on an easel. The glass mixing plate is held in place by magnets; the magnets under the glass are glued to the palette. I like using it this way.

Lessons with Kari Rajkumar, Spring 2019

I’ve had the great pleasure of having four lessons with Kari Rajkumar, from Paris IL, this spring (Feb, March, May and June). She is an accomplished artist in oil portraits. I first saw her paintings on display in Terre Haute last fall and knew right away that I’d like to learn from her.

We decided to delay starting lessons until after Christmas. It worked out best for her to come to my home, which was very convenient for me! We worked on a copy of a portrait by John Singer Sargent, each working on our own painting. She instructed and described processes as we went along in the 3 hour lessons.

I learnt so much great information about oil paintings and portraits in particular. I also benefitted from applying those to my other paintings, which Kari would then critique for me. That was really helpful.

This was the progress after the first lesson. The lesson was mainly about facial structure, lighting and skin tones. Rather a ghostly look!

Swinging

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Oil on canvas panel, 8 x 10

From a photograph I took of a granddaughter, last summer, swinging at my house. As soon as they arrive, they like to run out to the swing and then it’s so easy to capture happy faces! The opposing colors of the fence and grass were actually like that, but I exaggerated them as they picture her ‘all on’ or ‘all off’ personality. I like the way her hair blows back in the swinging breeze.

Baby in the woods

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Oil on canvas panel, 8 x 10

My daughter-in-law suggested that I paint something for my son’s birthday and sent me a photo of their youngest daughter to work from. I thought it was a lovely expression, a fun pose and a great background. It came together really well and the result makes us all smile.

It’s still in my possession, but I will give it to my son when he moves to a new house in the summer.

 

Sleeping 1, caught unawares

 

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9 x 12, acrylic on board

This is a one hour study from a photo. I love sleeping pictures because they are so unposed and the person is very relaxed. This daughter, though, thinks that it’s unfair to catch her without her knowledge, and I can understand her feeling of vulnerability. However, I still like sleeping pictures.

It was fun to see it come together as I placed the colors and values. I concentrated on her face; if I’d allowed myself more time, I would have changed the shadow on her arm, and worked on the fabric of her dress a bit more.