Inspection

Oil on canvas panel, 12 x 16

One of my grandaughters asked me to sew a pink fleece bunting for her doll, after I had made a purple one for her sister’s doll. I made it and sent it to her and this painting is based on the photo that her mother took for me.

I like the look of quiet concentration as she inspects it. I enjoyed working with the soft and muted colors and using a palette knife for her hair.

Time of Reflection

12 x 16, oil

This is a family member, from a photo I took several years ago. She is an elegant, well-dressed person and I feel I captured that look. However, the colors didn’t seem right until I glazed her facial shadows with what seemed like outrageous yellows and oranges and suddenly it came to life!

Mask II

You Can’t See Me, Oil, 11 x 14 ins

I wanted to portray the amusing idea that children have of not being visible if nothing is visible to them!

This painting was based on a photo of my granddaughter in one of her special dresses, although in the photo she was wearing large green glasses frames. I bought this children’s ‘llama’ sleep mask especially for this project and modeled it on myself, taking selfies in a similar light to the photo. It was fun.

Once I’d finished the painting I gave her the sleep mask.

Beach Talk

Oil on Canvas panel, 12 x 16

I loved painting this picture of my husband and grandson. Everything about it felt sunny and happy. I took the photo at the end of a very pleasant week that the grandchildren stayed with us, at the end of which we delivered them back to their parents on this beautiful beach on the shore of Lake Michigan.

My favorite part of the painting is my grandson’s fingers and their shadow. His pose is so characteristic of him, including the way he is concentrating on pushing his foot into the wet sand. I also enjoy the shadows and their part in the composition.

My husband’s Tilley hat features again!

One hour Portraits from Photos

Recently I tried two more one hour portraits, but this time from photos I’d taken in the past year. They were useful studies, again with good learning experiences involved. The process forces quick decisions, and sometimes they are wrong! In the first picture, the angle of the face should be tipped forward more. (I used this study as a practice for a more finished painting).

In the second painting, the general positioning is good, but the eyes are too low, even though I was comparing distances with the end of my paintbrush. However, she has the right look of intensity and concentration. I’d like to do this one again as a more finished painting.

They are both oil , 11 x 14, painted on canvas board (toned chromium oxide green).

Bellevue Gallery Show III

This is my third month-long Show at the Bellevue Gallery, which is attached to the Farmer House Museum in Bloomington, IN. I had 16 paintings on display for the month of October. There are 4 portraits, 4 landscapes, 4 flowers and 4 figures. Paul Kane, artist-in-residence at the Gallery, hung the Show and placed them in unusual dimensions to show that I was working in different directions. I think my next Show should be more uniform and cohesive?

We had a reception on Friday, Oct 18, which was mid-Show. Attendance was low, but we had a great time playing music and talking! I am very grateful to be able to display my paintings at the Gallery.

Swinging

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Oil on canvas panel, 8 x 10

From a photograph I took of a granddaughter, last summer, swinging at my house. As soon as they arrive, they like to run out to the swing and then it’s so easy to capture happy faces! The opposing colors of the fence and grass were actually like that, but I exaggerated them as they picture her ‘all on’ or ‘all off’ personality. I like the way her hair blows back in the swinging breeze.

Baby in the woods

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Oil on canvas panel, 8 x 10

My daughter-in-law suggested that I paint something for my son’s birthday and sent me a photo of their youngest daughter to work from. I thought it was a lovely expression, a fun pose and a great background. It came together really well and the result makes us all smile.

It’s still in my possession, but I will give it to my son when he moves to a new house in the summer.

 

Sleeping 1, caught unawares

 

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9 x 12, acrylic on board

This is a one hour study from a photo. I love sleeping pictures because they are so unposed and the person is very relaxed. This daughter, though, thinks that it’s unfair to catch her without her knowledge, and I can understand her feeling of vulnerability. However, I still like sleeping pictures.

It was fun to see it come together as I placed the colors and values. I concentrated on her face; if I’d allowed myself more time, I would have changed the shadow on her arm, and worked on the fabric of her dress a bit more.