I’ve been away from the blog for 6 months—where has the time gone?
I’ve been busy though.
Back in Action
Category sunlight
Plein Air, August 29, 2024
This is my finished painting, started the previous week. It was lovely to be out there, enjoying the scenery and sunshine, moving paint around on this super-smooth board with my palette knife.
A few people walking along the path stopped to investigate and chat a bit. I used to be fearful of this, but have grown to appreciate it. The comments are always very positive, and the people seem genuinely happy that someone bothers to paint. I felt that maybe people have a sense that there must be something okay with the world if artists can take the time to observe, concentrate on, and record the beauty around them.
William Turman Plein Air Event, Terre Haute, June 2024
On June 13-16, 2024 I took part in the second Plein Air Event in Terre Haute. This year we were allowed 10 blank canvases, up from 5 last year. I could not manage to paint 10! I ended up with 5 paintings.
I decided to have the Courthouse as my focal point this year, painting it from different directions at different times of day.
I decided to try this view again on Gessobord, so I went back later on the second day to block in the shapes, and then returned on the morning of the third day to finish it.
I also painted to the west of the Courthouse, at Dewey Point at the Wabashiki wetland, over two evenings:
My third location was in Fairbanks Bank, on the banks of the Wabash River, but this year I turned my attention to the Courthouse instead of the river. I painted two paintings from slightly different locations.
When I returned to complete it the next evening, lots of people started arriving for a family concert (a local Wind Band) playing in the Amphitheater! I had not expected this, and it was a very different atmosphere! It turned out to be really fun. Lots of people stopped to look at what I was doing and make comments, or tell me their story; children were especially vocal and engaged. A girl told me she loved my painting and it ought to be in an art museum, and then she picked a clover and gave it to me as my award! Beautiful experiences!
A Spring in Her Step
This is a re-painting I did recently of an earlier painting which was in a smaller format. It is my mother and daughter striding out across the hills and fields while taking the dog for a walk.
Which one has the spring in her step?
The Green Look
Oil on Canvas Panel 12 x 16 ins
I painted this portrait of my daughter from a photo I took while we were sitting on our deck one sunny lunchtime. I was struck by the lovely green reflection of her shirt in her cheek and chin. It really seemed to jump up there!
Here are some of the steps I took in the painting:
Happy in Greece
This is my brother!
Last summer I delivered paintings of his wife and his son to them when we visited. He very gently hinted that it might be fitting to have one of himself to go with them.
When I returned home I collected all the photos I had of him and sent him a selection of my favorites as possibilities for painting. We both agreed that this one was our choice. It’s from a vacation in Greece (I didn’t take the photo!).
I liked the warmth and happiness of the photo. It was a full-length shot and the resolution was not very high when I enlarged it, but the expression and the colors were so great I proceeded anyway.
He and I are both pleased with the result and I will deliver it to him in the UK later this year.
Composition 5
I liked the lower left design best, so I chose that for my painting.
I applied the paint with a palette knife throughout. I like the sunlight effect in the lower half of the painting.
Composition 3
8 x 10 ins, oil on canvas board
This painting was developed from the notan on the top half of the sketch book page, 3c. I used the value pattern on the top right, although the tree/bush at the left side of the road really ended up being a dark shape. I thought it looked a better balance as I was painting.
This time I painted entirely with a palette knife. I enjoy the thick and expressive paint!
Composition I
Mary Gilkerson was an artist and teacher from South Carolina, whose art and videos I have liked for a while. She painted colorful landscapes using a palette knife. Sadly she passed away in April 2022.
The people in charge of her estate decided to offer her video classes to the public on YouTube at no charge. Thank you!
I have been following her ‘Composition, Color and Light’ course and it has been extremely helpful in learning how to compose a landscape, and in fact a painting of any subject.
She makes the process of developing a Notan (black and white value pattern) from a photograph understandable in a way I’d never seen before:
1. Develop a 3-value study of the scene in question.
2. Make several thumbnail variations pushing the mid-value to either black or white.
3. Choose the one that is most pleasing to you as the value pattern for your painting.
Below is my sketchbook showing this process, and indicating the value pattern I chose. But then I didn’t keep exactly to it, and I used strange colors, so I was not entirely happy with the painting above. I have since practiced quite a bit more and have some better results—in future posts!
Plein Air today
8 x 8 ins, Oil on Linen Panel
I painted this from my front porch this afternoon, an exhilarating experience. It was a crisp, clear, windy December day. My focus was the large maple tree in the middle of the front lawn, and the way the nearly-setting sun was lighting it, although by the time I finished (an hour later) the light had pretty much gone from the tree.
I took a lot of artistic license with the view and completely removed the houses across the street (their complexity and presence did not add to my ideas about the tree), so this is not actually the view from our porch, but my ideas about the tree and the light this afternoon. I loved doing it.
marymayhewart 