LoveLifeDrawing III

This continued to be an informative and valuable course. I found the instruction and the feedback to be excellent.

Week 4 was some work on 2 value heads:

Then some work on Eyes in week 5:

Then some work on putting the eyes shapes into more specific practice:

LoveLifeDrawing II

After learning to see and construct the head and facial structure we moved on to drawing the shapes in two values, still using basic shapes, no features yet.

It was amazing to see how much information we could convey without drawing eyes, mouth or nose!
Well, I started to add some simple eyes—it’s really hard not to!

Portrait Society Conference 2023

In May I attended the Annual Conference of The Portrait Society, my second year to go, this time in Reston, VA. I had a wonderful time, meeting people from last year, meeting new people, learning new things and receiving critiques.

This year I attended a pre-conference workshop, 9 am-4 pm on Thursday before the Conference started. From the 4 options available I chose ‘Drawing on Emotion’ with Mary Whyte. She gave us drawing instruction in the morning and I drew each of the two models.

In the afternoon she guided us through considering how to instruct and pose the models to depict a certain, chosen emotion. Again I drew the two models. She walked around and gave us helpful critiques on our drawings.

The first main event of the Conference on Thursday evening was the ‘Face-Off’, where 18 artists paint or sculpt 6 models, 3 artists to each model. Attendees could walk around and watch the portraits in progress—all very different approaches!

I also enjoyed two breakout sessions, several main stage demos and talks, the Gala Banquet, and the talks with artists who were the finalists in the International Competition. A highlight for me, as last year, were the lunch time Critique Sessions. I showed my portfolio to six different artists and received very helpful advice.

All in all it was a wonderful four days of learning and inspiration!

Applying Lessons to Portraits II

One of my major painting goals for 2022 is to paint from life as much as possible.

After my enjoyable sessions at the live portrait group in Pennsylvania, where I simplified the process by using only the Zorn palette (yellow ochre, cadmium red, ivory black and titanium white) plus transparent red oxide, I decided to concentrate on using the Zorn palette for more portrait practice this year.

I returned to photos that I took in Nov 2019, when I asked family members to sit for me for an hour at a time during the week of my birthday and I painted 11 x 14 portrait sketches using water-mixable oils:

Now, in 2022, I’ve repainted from these photographs using a 3-step process:

  1. Charcoal drawing
  2. Oil color study
  3. Finished oil portrait

1. Charcoal Drawing

Charcoal study from photo above, 6 x 8 ins

2. Oil Color Study

Oil Study painted from photo above, 6 x 8 ins

3. Finished Portrait

Portrait, 9 x 12 ins, oil on canvas board