
8 x 10 ins, oil on canvas board

This painting was painted from 3a, the lower half of the sketch book page. I liked the lower left Notan the best and so used that for my guide. I used palette knives again throughout this one, as for Composition 3.
8 x 10 ins, oil on canvas board
This painting was painted from 3a, the lower half of the sketch book page. I liked the lower left Notan the best and so used that for my guide. I used palette knives again throughout this one, as for Composition 3.
8 x 10 ins, oil on canvas board
The painting above was developed from the thumbnails on the bottom half of the sketchbook page, 2c. I have the 3-value sketch on the left and then four Notan possibilities to the right. I chose the lower left one from which to paint.
I think that this time I kept to the value pattern more accurately, but I lost it a bit at the left end of the tree line—the values of sky/trees/field become too similar there. I like these colors better than my Composition I painting.
Yellow Roses, 11 x 14, Oil
After I enjoyed the lesson by Kelli Folsom so much (Terracotta Pot with Grapes, that I painted with my sister), I bought her Masterclass on painting roses. The first lesson was black and white studies of roses structure and form and the second lesson was on colors for roses.
This painting is from the third lesson. It included instruction on still life set-up, composition and colors. Kelli has such a warm, friendly and encouraging manner that it is a pleasure to listen to her, and her information is always useful. I loved doing this lesson!
A copy of part of a portrait painting by Philip de Laszlo of the Princess Elizabeth, oil, 12 x 12 ins.
I painted this Master copy earlier this year, in a lesson with my teacher, Kari Rajkumar. I chose the portrait out of several she showed me because of my Britishness and my interest in painting children.
There are so many lovely colors in her skin! I really enjoyed trying to match them. I have focused since on understanding the warm and cool colors in skin, and I think I’ve gained some ground.
Oil on canvas panel, 9 x 12 ins
Our third Plein Air class was in the middle of very quiet Amish countryside, near New Wilmington, PA. The three of us stood within in a fairly small area but all chose different views, so came away with three totally different paintings.
I liked these big trees overshadowing the farmhouse buildings, with the big barn a little closer to me. There were numerous Amish buggies coming and going, and horses being used to plow the fields, so almost the only noise was of horses’ hooves. Altogether a very peaceful three hours of painting.
For our second 3 hour lesson we went to a rural area and found a pumpkin field. One fascinating aspect of painting outdoors with other people is that we can stand in a small area together and produce totally different paintings!
My choice of view and subject was based on the pumpkins leading up to the white barns, which are silhouetted by the dark trees. I also liked including the distant hills. I had a strong sense of representing the feel of what was in front of me rather than the exact image. To that end I ‘moved’ the pumpkins around quite a bit!
Copy of a painting by a Master, oil, 12 x 12 ins
This is another painting completed in a series of lessons with Kari Rajkumar. The original is a self-portrait by John Singleton Copley, a famous and well-established Colonial artist, who moved to London in 1774. I’m afraid I made him look slightly chubbier in the cheeks than he painted himself, but the process was absorbing and instructive.
Fall Landscape, painted from an online tutorial by Paint Coach, Chris Fornataro
Oil, 6 x 8 ins
A fun small study done in one evening; lovely colors and thick, luscious paint!
Although I’ve enjoyed the acrylic glazing process, I decided I wanted to return to something with more ‘solidity’ and depth, and a method that is more direct. I have not been able to find mediums I like for the water-mixable oils, so with some encouragement and instruction from Kari Rajkumar, I’m working with traditional oils now.
I bought a small selection of Gamblin 1980 oils locally, and have been working on exercises from Paint Coach (on YouTube and Patreon). Paint Coach (Chris Fornataro) is very good at simplifying and de-mystifying the materials and process, with excellent tutorials on all aspects of oil painting. And he’s often entertaining!
Here are my first apple studies from his video on Patreon. A very similar study can be found here https://www.youtube.com/watch?v=if6Z4BaqDSU