This is another painting completed in a series of lessons with Kari Rajkumar. The original is a self-portrait by John Singleton Copley, a famous and well-established Colonial artist, who moved to London in 1774. I’m afraid I made him look slightly chubbier in the cheeks than he painted himself, but the process was absorbing and instructive.
Although I’ve enjoyed the acrylic glazing process, I decided I wanted to return to something with more ‘solidity’ and depth, and a method that is more direct. I have not been able to find mediums I like for the water-mixable oils, so with some encouragement and instruction from Kari Rajkumar, I’m working with traditional oils now.
I bought a small selection of Gamblin 1980 oils locally, and have been working on exercises from Paint Coach (on YouTube and Patreon). Paint Coach (Chris Fornataro) is very good at simplifying and de-mystifying the materials and process, with excellent tutorials on all aspects of oil painting. And he’s often entertaining!
I painted these cheerful sunflowers recently from a tutorial by Sharon Hofer www.creatingamasterpiece.com after using her video instruction as a basis to teach 4 middle school students the same painting. I think it’s such a lovely painting I decided to have a go too! It was completed in about an hour. My daughter likes it so much she asked to have it hanging in her bedroom, which is where it now lives.
Sharon Hofer teaches good methods in a clear style, and I feel could help anyone develop their art. I was lent the hard copy video by a friend, although Sharon has now changed to a subscription system, which means a bit more capital outlay to access the information.
In November I enlisted the help of this very gracious family member to help me follow the instructions of Brian Neher on the Craftsy video course ‘Painting Realistic Skin Tones in oil’.
We set her up near a North facing window, with a suitable background, and I took about 60 photos of her. Together we chose a few that we both liked and I settled on this pose.
The photo shows the colors a little incorrectly-the shadows are not quite that brown. However, I’m not satisfied with the shadow colors. I mixed cadmium red medium, yellow ochre, titanium white and a touch of viridian, aiming for grey, but the mix went more easily to a brown hue than a grey one. I need more practice and experimentation with this-does anyone have any tips?
These are some of the last paintings from 50 Small Paintings in Acrylics, by Mark Nelson. It was a very good way of becoming familiar with acrylics. I discovered that I like Golden Open acrylics the best. Now I am using the book to teach a group of children. They love the projects!
I’m continuing to work through the 50 lessons in Learn to Paint in Acrylics with 50 Small Paintings by Mark Daniel Nelson. I’m working on #32, and sometimes itching to branch off and do ‘my own thing’, but also wanting to complete all the exercises and learn as much as I can. I’m really enjoying the immediacy of the paint, and the way it forces me to be bold and unfussy. Each painting takes me about 30-60 minutes.
I’ve been experimenting with different brands and types of paint, but think I’d better stick to one for now and learn its characteristics, so I’m using Winsor & Newton Artist Acrylics. The consistency is between soft and heavy body, the colors are bright, and they claim that there is no color shift on drying and that they stay wet just a little longer on the canvas. I cannot see a color shift, but I’m not sure about the drying time, as I re-use my paints from a Masterson Sta-Wet palette, so they may already be slightly changed by the time I use them.
I’m also keeping up with my daily Art Journal in watercolor. Maybe that’s why my progress in the 50 acrylic paintings seems slower than I’d like.
I have been having great fun painting these 5 x 5 inch panels in acrylic, using the excellent instruction in this book, Learn to Paint in Acrylics with 50 Small Paintings, by Mark Daniel Nelson. I found the book at a local library, but have now bought my own copy.
I started out using small squares of canvas paper, but wanted something more solid, so I bought a 2 x 4 ft sheet of hardboard and Jim cut it into 5 inch squares for me. Then I coated 8 at a time with 2 coats of white gesso. The colors are so much fun to work with. I’m experimenting with different types and brands of paint, and even trying out a few mediums.
I’ve done the first 22 small squares in the book, each of which has it’s own ‘lesson’ featured. I’m excited about the possibilities!