
This is a re-painting I did recently of an earlier painting which was in a smaller format. It is my mother and daughter striding out across the hills and fields while taking the dog for a walk.
Which one has the spring in her step?

This is a re-painting I did recently of an earlier painting which was in a smaller format. It is my mother and daughter striding out across the hills and fields while taking the dog for a walk.
Which one has the spring in her step?

Cara, Oil on gessoed MDF board, 9 x 12 ins.
I painted this, using my own photo, after watching lessons by Jane French on Domestika.
She uses a direct approach and a square brush technique. I like her paintings because she uses surprising colors on the skin tones, and yet from a distance they meld in beautifully.
I did not achieve the same colors in the skin tones here. That needs another attempt. I’m happy with the brushwork changes I made.
The picture reminds me of a happy conversation on a pleasant evening with friends.

Oil on Canvas Panel 12 x 16 ins
I painted this portrait of my daughter from a photo I took while we were sitting on our deck one sunny lunchtime. I was struck by the lovely green reflection of her shirt in her cheek and chin. It really seemed to jump up there!
Here are some of the steps I took in the painting:





This painting is from another photo from Unsplash.com (thanks to aisvri for the free-use photo).
I loved her red hair against the muted blues, and her look of cool appraisal. I think she’s asking for meaning.

Again from a photo from Unsplash, and again really fun to paint! The steps of my process are outlined below.






I decided to apply the lessons I’d learned from the live portrait group to some work at home.
Sadly, I did not have a live model anymore (working on ideas to find some!), but I revisited the time when I did have live models sit for me, during my birthday week of 2019 (one of my birthday wishes).








At the end of the session, the model inspected the various representations of himself, with generous comments to all!
The group plans to continue painting veterans every other week, and in Nov 2022 have a display of all the year’s portraits of veterans at the VA hospital. At that time each veteran may choose one portrait of themselves to keep. I thought that was a great plan!

Several months later, I painted the same subject again (from my photo), on a larger canvas and with a more expressive background.
During our fall stay in PA, I went to a couple of two hour live portrait sessions at a local art center. On one occasion we painted a class member and on the other, a veteran. There were 6-8 artists present, using a variety of media.
On the first session I attended we painted a class member. I started in charcoal, and was pleased to find I could make a decent likeness in about half an hour.

Then I painted the sitter again using a very limited palette of oil paints. This was yellow ochre, cadmium red, ivory black, titanium white and transparent red oxide (a modifed version of the palette used by Swedish master artist Anders Zorn).

I started with a very rough block-in, then painted all the shadows with transparent red oxide for the face and ivory black for the clothing. I found the limited number of colors easier to manage and mix.
I was very happy with the glow that the red oxide gave to the face. The other class members had useful comments to make about my efforts and said I’d captured his likeness exactly. It was all very enjoyable and satisfying.

This is the final painting from Kelli Folsom’s Painting Roses Masterclass series. ( I bought this Masterclass as a stand-alone series, but now you have to join her Vital Art Sessions or Art Life School to see it).
It was so much fun to paint. For the background I experimented with ‘12 Shades of Grey’ that I bought from Jerry’s Artarama last year. It was a bit risky, since the tubes do not list their pigments, but I liked the background effects that resulted.

Yellow Roses, 11 x 14, Oil
After I enjoyed the lesson by Kelli Folsom so much (Terracotta Pot with Grapes, that I painted with my sister), I bought her Masterclass on painting roses. The first lesson was black and white studies of roses structure and form and the second lesson was on colors for roses.
This painting is from the third lesson. It included instruction on still life set-up, composition and colors. Kelli has such a warm, friendly and encouraging manner that it is a pleasure to listen to her, and her information is always useful. I loved doing this lesson!