This continued to be an informative and valuable course. I found the instruction and the feedback to be excellent.
Week 4 was some work on 2 value heads:

Then some work on Eyes in week 5:


This continued to be an informative and valuable course. I found the instruction and the feedback to be excellent.
Week 4 was some work on 2 value heads:

Then some work on Eyes in week 5:


One of the great aspects of the Portrait Society Conference is the opportunity to draw from life—the wonderful models they engage for the conference time.



The first drawing here was from a breakout session (workshop) which I had chosen. The model was dressed and posed very similarly to a drawing by John Singer Sargent. We also had a copy of that drawing to refer to.
The other two drawings were from an evening open studio. There were three models present, and during the 3 hours of the studio we could choose one, or all three. Several faculty were present, to give advice when needed.
All there drawings are on gray-toned sketch paper.
I also loved watching professional artists paint people from life, receiving critiques from professional artists on my own paintings, learning some very helpful and interesting information from the talks and lectures, and meeting up with faculty and attendees that I’ve met at the previous conferences.
I decided my focus learning area for this year would be composition. When I saw this course advertised by Ian Roberts I thought it would be a good fit. I have had his book for many years and often referred to it, and also receive his monthly mini-instruction videos.
The 6-week course ran from January-March, and was followed by a 30-day Challenge up til April 6.
It consists of a weekly live Zoom instruction session, 2 or 3 assignments during the following week with accompanying instruction videos and a Buddy system for critiques. I’ve found them all to be very beneficial.





