The Green Look

Oil on Canvas Panel 12 x 16 ins

I painted this portrait of my daughter from a photo I took while we were sitting on our deck one sunny lunchtime. I was struck by the lovely green reflection of her shirt in her cheek and chin. It really seemed to jump up there!

Here are some of the steps I took in the painting:

Happy in Greece

Oil on Canvas Panel, 12 x 16 ins

This is my brother!

Last summer I delivered paintings of his wife and his son to them when we visited. He very gently hinted that it might be fitting to have one of himself to go with them.

When I returned home I collected all the photos I had of him and sent him a selection of my favorites as possibilities for painting. We both agreed that this one was our choice. It’s from a vacation in Greece (I didn’t take the photo!).

I liked the warmth and happiness of the photo. It was a full-length shot and the resolution was not very high when I enlarged it, but the expression and the colors were so great I proceeded anyway.

He and I are both pleased with the result and I will deliver it to him in the UK later this year.

Contemporary Portrait-Indian Girl

12 x 16 ins, oil on canvas panel

So much fun! This portrait is based on a photo from Unsplash, but adapted according to my memories of our 4 month stay in India in 2014. One overwhelming impression there was the riot of color—in clothing, outside temples, in decorations. It was a beautiful feast of color!

Here’s a gallery of some steps in the process:

Composition 5

Oil on Panel, 8 x 10 ins
Sketch book Notans from a photo I took in a NY cemetery last spring.

I liked the lower left design best, so I chose that for my painting.

I applied the paint with a palette knife throughout. I like the sunlight effect in the lower half of the painting.

Composition 3

8 x 10 ins, oil on canvas board

This painting was developed from the notan on the top half of the sketch book page, 3c. I used the value pattern on the top right, although the tree/bush at the left side of the road really ended up being a dark shape. I thought it looked a better balance as I was painting.

This time I painted entirely with a palette knife. I enjoy the thick and expressive paint!

Rare Encounter

‘Rare Encounter’, Oil on Linen Panel, 18 x 24 in

I had a painting like this in mind for several months, ever since I took the photo last fall of my granddaughter staring at parachute jumpers exiting an airplane. I liked the lighting on her, her position, and her look of interested wonder.

It seemed a fitting start for a painting for a group Show connected with our local library’s Fall Big Read–World Of Wonders, by Aimee Nezhukumatathil. The book is intended to increase people’s interest and wonder in the natural world. I read the book over the summer and appreciated many of the author’s thoughts and insights.

In my painting I made the object of her vision and wonder a Monarch butterfly, the subject of a chapter in the book. I enjoyed researching the butterfly and adding it to my painting.

The art display is up in the Terre Haute library for the month of August 2022.

Plein Air today

8 x 8 ins, Oil on Linen Panel

I painted this from my front porch this afternoon, an exhilarating experience. It was a crisp, clear, windy December day. My focus was the large maple tree in the middle of the front lawn, and the way the nearly-setting sun was lighting it, although by the time I finished (an hour later) the light had pretty much gone from the tree.

I took a lot of artistic license with the view and completely removed the houses across the street (their complexity and presence did not add to my ideas about the tree), so this is not actually the view from our porch, but my ideas about the tree and the light this afternoon. I loved doing it.

Plein Air in PA III

Oil on canvas panel, 9 x 12 ins

Our third Plein Air class was in the middle of very quiet Amish countryside, near New Wilmington, PA. The three of us stood within in a fairly small area but all chose different views, so came away with three totally different paintings.

I liked these big trees overshadowing the farmhouse buildings, with the big barn a little closer to me. There were numerous Amish buggies coming and going, and horses being used to plow the fields, so almost the only noise was of horses’ hooves. Altogether a very peaceful three hours of painting.

Plein Air in PA II

Oil on canvas board, 9 x 12 ins

For our second 3 hour lesson we went to a rural area and found a pumpkin field. One fascinating aspect of painting outdoors with other people is that we can stand in a small area together and produce totally different paintings!

My choice of view and subject was based on the pumpkins leading up to the white barns, which are silhouetted by the dark trees. I also liked including the distant hills. I had a strong sense of representing the feel of what was in front of me rather than the exact image. To that end I ‘moved’ the pumpkins around quite a bit!