This is the second full painting in Kelli Folsom‘s Painting Roses Masterclass. I loved painting it!
8 x 8 ins, Oil on Linen Panel
I painted this from my front porch this afternoon, an exhilarating experience. It was a crisp, clear, windy December day. My focus was the large maple tree in the middle of the front lawn, and the way the nearly-setting sun was lighting it, although by the time I finished (an hour later) the light had pretty much gone from the tree.
I took a lot of artistic license with the view and completely removed the houses across the street (their complexity and presence did not add to my ideas about the tree), so this is not actually the view from our porch, but my ideas about the tree and the light this afternoon. I loved doing it.
I was happy to have two paintings accepted for the current ‘Masks’ Exhibition at the Arts Illiana Gallery, Terre Haute, March 5-May 21, 2021. The first one I painted is a self-portrait, although I am so masked that it could not truly be called a portrait!
We flew to Albany, NY twice in Dec 2020, first to visit a sick relative and then to attend her funeral. I wanted to have a rest on the flight, so I put on my eye mask, and then thought this was peculiar–my face was now totally covered! With some experimentation I was able to take some selfies with my phone and painted from these after we returned home.
Three small pieces (less than 12 ins in any dimension) were accepted for the 2020 Arts Illiana Small Works Show, Dec 4, 2020-Feb 19, 2021.
‘One of A Pair’ and ‘Red Pepper’ are each 6 x 8 ins, oil, matted and framed to be 8 x 10 ins.
‘Lenten Rose’ is 7 ins square, watercolor, framed to be 8 x 8 ins.
All pieces in this Show had to be for sale and to my delight, One of A Pair and Red Pepper have both sold!
These are exercises in oil; first, pears in monochrome, raw umber at the top and ivory black on the lower one. I was beginning to feel how the traditional oil paints and medium went on to the canvas.Then I tried a study in color, (left) following along with Paint Coach, Chris Fornataro. The last pear (right) was painted from life-my own still life set-up.
I love the rich and luscious colors, the depth and form, and the brushing, blending and layering possibilities of the oil paint.
I painted this using the acrylic glazing method-many very thin layers so that the color gradually builds up. The background and much of the hair was painted with thicker, opaque layers.
She is moving fast, enjoying the bright sunshine and outdoor activity. Just like her movement, her youth will seem to have flown by so fast. One flash and she’ll be grown up!
Although I’ve enjoyed the acrylic glazing process, I decided I wanted to return to something with more ‘solidity’ and depth, and a method that is more direct. I have not been able to find mediums I like for the water-mixable oils, so with some encouragement and instruction from Kari Rajkumar, I’m working with traditional oils now.
I bought a small selection of Gamblin 1980 oils locally, and have been working on exercises from Paint Coach (on YouTube and Patreon). Paint Coach (Chris Fornataro) is very good at simplifying and de-mystifying the materials and process, with excellent tutorials on all aspects of oil painting. And he’s often entertaining!
Here are my first apple studies from his video on Patreon. A very similar study can be found here https://www.youtube.com/watch?v=if6Z4BaqDSUApple studies, 6 x 8 ins, oil on canvas paper
This year I was awarded 3rd place in the Painting category for my entry, ‘All In It Together’. I was delighted! There is more information about the show at http://www.rivercityart.org.
12 x 16 inches, acrylic on canvas panel
The layers of color are so much fun! I’m really enjoying this process. It is very calm, slow, and meditative. Each layer is only just visible as it goes on and so makes a small difference, thus making it easy to change direction as the painting develops.
During the corona virus ‘shelter-at-home time’, March-May, I followed along with artist Matt Philleo in the challenge he was offering as free online lessons every few days. I liked the idea of doing a special project during this strange time, and I liked the encouragement to use a 16 x 20 size, which I have never done before.
I had tried glazing with acrylics a few years ago, but probably was doing it too thickly and impatiently. It didn’t go very well. This time, with his instruction to use 95% matte medium to 5% paint, and paint so lightly that you can hardly see the difference, it went a lot better and I like the result!
‘Going Out Again’, 16 x 20 inches, acrylic on canvas panel